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EROICA TRIO

Eroica Trio

Erika Nickrenz, piano
Susie Park, violin
Sara Sant'Ambrogio, cello
www.eroicatrio.com

The most sought-after trio in the world, the Grammy®-nominated Eroica Trio thrills audiences with flawless technical virtuosity, irresistible enthusiasm and sensual elegance. Whether playing the great standards of the piano trio repertoire or daring contemporary works, the three young women who make up this celebrated ensemble electrify the concert stage with their performances of depth and precision. The Trio won the prestigious 1991 Naumburg Award, resulting in a highly successful Lincoln Center debut and has since toured the United States, Europe, and Asia. While maintaining their demanding concert schedule, the Eroica Trio has released seven critically lauded recordings for Angel/EMI Classics Records, garnering multiple Grammy®nominations.

The Eroica Trio performs the Beethoven Triple Concerto more frequently than any other trio in the world, having appeared with renowned symphonies such as Chicago, St. Louis, San Francisco, Mostly Mozart Orchestra, Cincinnati, Indianapolis, Atlanta, Pittsburgh, Houston and Seattle. In addition, The Trio has performed the work abroad with Orquesta Sinfonica de Euskadi in Spain, Haydn Orchestra in Italy, Budapest Symphony in Germany, and on tour in the United States with the Prague Chamber Orchestra, culminating in a Lincoln Center performance. The Trio appeared on the German television program "Klassich!" performing the Beethoven Triple Concerto with the Munich Symphony, which was aired throughout Europe.

The Eroica Trio is on the vanguard of a new generation of artists who are changing the face of classical music. One of the first all-female chamber ensembles to reach the top echelon of its field, the Eroica Trio is helping to break an age-old gender barrier. As the Chicago Sun Times remarked, "Our image of the piano trio is largely formed by groups like the celebrated [original] Beaux Arts, three middle-aged gentlemen who apply their wisdom and artistry to their chosen repertory. That image is about to change." The Trio took its name from Beethoven's passionate Third Symphony. Italian for "heroic," eroica is a word that aptly reflects the ensemble's approach to music. As critics have noted, "It's been decades since this country has produced a chamber music organization with this much passion." (The San Francisco Examiner)

The Trio has established a unique identity by creating innovative programs that span 300 years of music. A typical Eroica Trio concert might include the Baroque symmetries of Vivaldi, the passion of Brahms, and Paul Schoenfield's contemporary Café Music with its echoes of jazz, spiritual and theatre music. The Eroica Trio is a strong champion of new composers; each season includes an American or world premiere of a new work. Most recently, the Trio presented the world premiere of Poets and Prophets, a piece composed for the Trio by Mark O'Connor and commissioned by Katherine Gould for the Montalvo Center for the Performing Arts in Saratoga, CA. This season, the Trio will give the world premiere of a work by acclaimed American composer, Kevin Puts, commissioned by Music Accord.

As the 1997 official representative for New York's Carnegie Hall, the Eroica Trio opened the sold-out "Distinctive Debuts" series at Weill Recital Hall. This touring series, created to showcase rising stars of classical music, was internationally sponsored by a consortium of European halls and included performances at Konzerthaus in Vienna, Concertgebouw in Amsterdam, Philharmonie in Cologne, Alte Oper in Frankfurt, Symphony Hall at ICC in Birmingham, and Konserthus in Stockholm. The Eroica's performances were received with rave reviews. "The Trio plays with technical flair, raw, driven energy and high spirits. The ensemble also has plenty of charm and stage presence. It was obvious that all three musicians were having as much fun as the [Carnegie Hall] audience." (The Wall Street Journal)

Immediately following its acclaimed Carnegie Hall debut in 1997, the Eroica Trio was offered an exclusive five-record contract by Angel/EMI Classics Records, which was extended in 2002 to include three additional recordings. The Trio's self-titled debut CD, which features works by Ravel, Benjamin Godard, a commissioned arrangement of the Gershwin Preludes, and Paul Schoenfield's Café Music, was awarded NPR Performance Today's "Debut Recording of the Year" and featured in Time Out New York's "Top Ten Recordings" of 1997. The ensemble's second disc, "Dvorak/Shostakovich/Rachmaninoff" released in the fall of 1998, concentrates on the works of those composers, as well as the Trio's own arrangement of Rachmaninoff's Vocalise, and was nominated for two Grammy®Awards. The New York Times noted: "Eroica's musicians have the muscle to be purely dramatic and emotional, but here they stand out for subtler reasons: all three players are soloists who have a lot to say, and every note, no matter how light, has some significance." The Eroica Trio's critically acclaimed third recording, "Baroque" was released in November 1999 and spent the next nine months in the top 20 on Billboard's charts. "Baroque" includes works by Bach, Vivaldi and the Eroica Trio's own arrangement of Albinoni's Adagio. The ensemble's next album, "Pasión" was released in October 2000 and features Argentinean, Brazilian and Spanish composers, including Piazzolla, Villa-Lobos and Turina. The Trio's fifth album for Angel/EMI Classics Records, "Brahms Trios Nos. 1 & 2" was released in January 2002 to great critical acclaim. This disc features the composer's lullaby arranged for piano trio by Sara Sant'Ambrogio. The Trio's sixth recording for Angel/EMI, "Beethoven's Triple Concerto Op. 56 and Piano Trio Op. 11" was recorded with the Prague Chamber Orchestra and released in October 2003. The release came just prior to a four-week coast-to-coast tour of the United States with that celebrated ensemble, catapulting this particular piece into Billboard's Top 20 for the first time in recording history.

In addition to its demanding concert and recording schedule, the Eroica Trio is committed to music education, giving concerts, master classes and special children's shows at schools and colleges throughout the country. Each summer, the Trio performs at music festivals throughout the world, including the Hollywood Bowl, Aspen, Mostly Mozart, Ravinia, and Spoleto, Italy.

The Eroica Trio has appeared on numerous television programs, including ABC's The View, CNN's Showbiz Today, CBS and ABC News, the CBS Morning Show and Saturday Morning, A&E's Breakfast with the Arts, The Isaac Mizrahi Show, Pure Oxygen, Bloomberg TV and Fox's The Crier Report. In addition, the ladies will be featured in the international broadcast of The Artists' Way At Work, an in-depth exploration of artistic creativity. Eroica!, a special documentary about the Trio and its commissioning of a new triple concerto by Kevin Kaska, premiered on the PBS series Independent Lens in December 2003.

The group has been featured in such magazines as Elle, Glamour, Vanity Fair, Detour, Marie Claire, Gotham, Entrée, Bon Appétit, Time Out New York, Gramophone, Piano, Vivace, Auditorium, and Chamber Music. In addition, the ladies have graced the covers of magazines as diverse as Fanfare, Cigar, Strings, Tall, and Strad. Grand Marnier®created a new cocktail dubbed "The Eroica" which was unveiled for the release of the "Pasión" recording. Chateau Sainte Michelle, a vineyard in Seattle, also named one of their vintage Rieslings in honor of the Trio.

The women who make up the Eroica Trio are all top-ranked, award-winning soloists and have performed on many of the world's great stages. Pianist Erika Nickrenz, who made her concerto debut at New York's Town Hall at the age of 11, was a featured soloist on the PBS series Live from Lincoln Center. A recipient of the Rockefeller Tanglewood Fellowship, she began her studies with German Diez and received her Bachelor and Master of Music degrees from the Juilliard School as a pupil of Abbey Simon. Nickrenz was a soloist with the Jupiter Symphony in Lincoln Center's Alice Tully Hall and in the spring of 2003 gave a performance and rang the opening bell for New York Stock Exchange as part of Steinway's 150th anniversary celebration. She has recorded several CDs on the MusicMaster and ASV London labels and now records exclusively for Angel/EMI Classics. A native of Sydney, Australia, Susie Park's international lauds include top prizes in the Indianapolis, Menuhin and Wieniawski International Violin Competitions. Concertizing around the world, her major solo appearances include collaborations with the Indianapolis Symphony, Australian orchestras including those of Sydney and Melbourne, Korea's KBS orchestra, the Lille Orchestre National and in venues including Carnegie Hall, the Metropolitan Museum of Art, the 92nd Street Y and Boston's Gardner Museum. Park performed last season as soloist with the Orchestra of St. Lukes at Alice Tully Hall in Lincoln Center. She made her solo debut at the age of five and holds her Bachelor of Music degree from the Curtis Institute of Music where she studied under Jaime Laredo and her Artist Diploma from the New England Conservatory where she studied with Donald Weilerstein. Cellist Sara Sant'Ambrogio's international successes include winning a medal at the prestigious International Tchaikovsky Violoncello Competition in Moscow, resulting in tours across North America, Europe, and the Middle East, culminating in a recital at Carnegie Hall which was broadcast on national television. She has performed with the Boston, Atlanta, St. Louis and Dallas Symphonies among others. Sant'Ambrogio has won a Grammy®Award for her recording of Leonard Bernstein's "Arias and Barcaroles." In addition, she has enjoyed collaborating on rock, pop and jazz CDs and movie soundtracks. Her solo CD, "Dreaming" was released on Sebastian Records in September 2004, and her latest CD of the Bach Solo Cello Suites will be released in 2007.

The ladies of the Eroica Trio share many personal and musical connections; indeed, Nickrenz, Park and Sant'Ambrogio's paths have crossed at many artistic junctions. When they were just 12 years old, Erika and Sara studied both piano and chamber music with Isabelle Sant'Ambrogio, Sara's grandmother. As teenagers, Erika and Sara coached chamber music with Sara's father and first teacher, John Sant'Ambrogio, principal cellist of the St. Louis Symphony. In the early years of the Eroica Trio, coaches included Mr. Sant'Ambrogio as well as Erika's father, the noted violist Scott Nickrenz. Since the Trio signed with Angel/EMI Classics Records, five of its CDs were produced by Erika's mother, three-time Grammy®Award winner Joanna Nickrenz. Park and Sant'Ambrogio both attended the Curtis Institute of Music, and all three women performed at the Marlboro Music Festival and toured nationally with Music from Marlboro. Jaime Laredo, a teacher and mentor of Park's, was instrumental in bringing Sara to Curtis and presented the Eroica Trio's New York debut. Many years ago, Park's teacher, Donald Weilerstein, formed a piano quintet with Nickrenz's mother (pianist Joanna Nickrenz) and father (violist Scott Nickrenz) and two others, the New Chamber Quintet.

During the 2007-2008 season, the Eroica Trio will celebrate its 20th Anniversary Season with a cross-country bus tour, with plans to revisit many of the smaller presenters who supported the Trio during its early years. The tour will coincide with the release of the Trio's eighth CD for EMI featuring all-American music, including a new arrangement of music from Gershwin's "Porgy and Bess" commissioned by the Eroica.


The Tokyo String Quartet has captivated audiences and critics alike since it was founded more than 30 years ago. Regarded as one of the supreme chamber ensembles of the world, the Tokyo Quartet-Martin Beaver and Kikuei Ikeda (violins), Kazuhide Isomura (viola) and Clive Greensmith (cello)-has collaborated with a remarkable array of artists and composers, built a comprehensive catalogue of critically acclaimed recordings and established a distinguished teaching record. Performing over a hundred concerts worldwide each season, the Tokyo String Quartet has a devoted international following that includes the major capitals of the world and extends to all four corners, from Australia to Estonia to Scandinavia and the Far East. Since it was founded, the Quartet has appeared nearly every year on the HFM series.

Officially formed in 1969 at the Juilliard School of Music, the quartet traces its origins to the Toho School of Music in Tokyo, where the founding members were profoundly influenced by Professor Hideo Saito. Soon after its creation, the quartet won First Prize at the Coleman Competition, the Munich Competition and the Young Concert Artists International Auditions. An exclusive contract with Deutsche Grammophon firmly established it as one of the world's leading quartets, and it has since released more than 40 landmark recordings. The ensemble now records on the Harmonia Mundi label.

The members of the Tokyo String Quartet have served on the faculty of the Yale School of Music as quartet-in-residence since 1976. Deeply committed to coaching young string quartets, they devote much of the summer to teaching and performing at the prestigious Norfolk Chamber Music Festival. They also conduct master classes in North America, Europe and the Far East throughout the year.

The ensemble performs on the "Paganini Quartet", a group of renowned Stradivarius instruments named for legendary virtuoso Niccolò Paganini, who acquired and played them during the 19th century. The instruments have been on loan to the ensemble from the Nippon Music Foundation since 1995, when they were purchased from the Corcoran Gallery of Art in Washington, D.C.

 

The ensemble’s balance, intelligence and style were beyond exemplary. -the Vancouver Sun

Trio con Brio Copenhagen - the Korean sisters Soo-Jin Hong and Soo-Kyung Hong and the Danish pianist Jens Elvekjaerwas the recipient of the Kalichstein-Laredo-Robinson International Trio Award in 2005. This biennial award, one of the most coveted in the world of chamber music, honors in perpetuity the Kalichstein-Laredo-Robinson Trio by encouraging and enhancing the career of an extraordinarily accomplished “rising” piano trio. The prize carries with it appearances on twenty major concert series across the USA including New York City’s Carnegie Hall; Trio con Brio Copenhagen was nominated for the award by the Alban Berg Quartet and chosen by members of the Kalichstein-Laredo-Robinson Trio as well as the eminent musicians Claude Frank (pianist), Michael Tree (violist of the Guarneri Quartet), and Peter Wiley (former cellist of the Beaux Arts Trio).

Gramophone Magazine wrote of the trio’s début CD: “it’s easy to see what so impressed the judges  . . . [the] performances can compete with the best available . . . airtight ensemble . . . a superb, greatly gifted chamber group.”

The trio was founded in Vienna in 1999 and first drew attention with a sensational performance that took the highest prize at Germany’s prestigious ARD-Munich Competition in 2002.  Since then, they won first prize in several more competitions: Italy’s Premio Vittorio Gui (Florence, 2003), Norway’s Trondheim Chamber Music Competition (2003), and the Danish Radio Competition (Copenhagen, 2002). They also won the “Allianz-Preis” for Best Ensemble in Germany's Festspiele Mecklenburg-Vorpommern (2003) and second prize in the Vienna Haydn Competition (2001) and the Premio Trio di Trieste (Italy, 2002). Critics have praised the trio for their “sparkling joie de vivre” and “magic dialogue;”—a review of their performance at the Salzburg Mozarteum said, “they cast a spell over their audience . . . so alive, so musical . . . ravishing.” Trio con Brio Copenhagen belongs unquestionably to the upper echelons of young chamber ensembles performing today.

Trio con Brio Copenhagen’s busy schedule includes major concert halls in Europe, USA and Asia, such as Tivoli Concert Hall (Copenhagen), the Concertgebouw (Amsterdam), Carnegie Hall (New York City), the Berlin Konzert­haus; the Mozart-Saal (Vienna), Herkulessaal (Munich), Beethoven-Haus (Bonn), the Musikhalle (Hamburg), the Mozarteum (Salzburg), the Seoul and Sejong Arts Centers (Korea), Bunka Kaikan (Tokyo), Teatro Olimpico (Vicenza, Italy), the Båstad Chamber Music Festival (Sweden), and the Bergen and Trondheim Chamber Music Festivals (Norway).

In 2003 Trio con Brio Copenhagen performed all the Beethoven piano trios in a cycle of three concerts at the Tivoli Concert Hall in Copenhagen with great success. The trio was ”Ensemble in Residence” in Copenhagen’s Rundetaarn (Round Tower), with five sold-out concerts in 2005 broadcast on the European Broadcasting Union and Danish Radio. The trio has also broadcast on the BBC, Korean Broadcasting Systems, Norwegian Radio, Swedish Radio, Radiotelevisione Italiana, and on the major German networks (ARD, NDR, Hessischer Rundfunk and Radio Berlin).

Trio con Brio Copenhagen is frequently featured as the soloists in Beethoven’s Triple Concerto with orchestras such as the Copenhagen Philharmonic, the Danish National Symphony Orchestra/DR, the South Jutland Symphony Orchestra, the Aalborg Symphony Orchestra, the Odense Symphony Orchestra, l’Orchestre Syrinx (France), and the Prime Philharmonic Orchestra (Korea).

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Concertante has acquired a sheen, warmth, and polish that are the hallmark of superb chamber music groups. Comprised of a core of six virtuoso string players, the group performs in varied combinations of instrumentalists. As solo performers who have won major national and international music competitions, they have graced the premier stages of the world from New York's Carnegie Hall to London's Royal Festival Hall to Shanghai's Grand Theatre. Concertante has performed a wide array of repertoire ranging from works by established masters to less commonly performed composers. The ensemble has an interest in furthering the cause of new music and last season launched a new series entitled One Plus Five, a series of six world premieres by Lowell Liebermann, Tigran Mansurian, Gabriela Frank, Shulamit Ran, Richard Danielpour, and Kevin Puts. In addition to the 06-07 season premieres of Liebermann’s Chamber Concerto No. 2 for Violin and String Quintet, and Mansurian’s Con Anima for String Sextet, Concertante has premiered the works of Jonathan Leshnoff, Josef Bardanashvili, Justine Chen, Tina Davison, Steven R. Gerber, David Ludwig, Jan Radzynski, Sheila Silver, and Oded Zehavi. It has also offered infrequently performed chamber works by such celebrated composers as Enesco, John Adams, Schoenberg, Martinu and Schulhoff. As an ensemble, Concertante has performed across America, gathering rave reviews from such publications as the New York Times, Los Angeles Times, and Washington Post, and appearing on Minnesota Public Radio's St. Paul Sunday. Concertante performs regularly at Merkin Hall in New York City and at Rose Lehrman Arts Center in Harrisburg, PA.



Turtle Island Quartet 
Ying Quartet

Timothy Ying, violin
Janet Ying, violin
Phillip Ying, viola
David Ying, cello

www.Ying4.com

Turtle Island Quartet and Ying Quartet
(Tuesday, January 22)

The four Ying siblings joined as an ensemble in 1992; the very next year they rose to international prominence, winning the prestigious Naumburg Chamber Music Award.   The Ying Quartet’s reputation for “instinctive unanimity” Philadelphia Inquirer and “astonishing, refreshing exaltation and exhilaration” Los Angeles Times is matched by its unparalleled success in making creative connections between chamber music and other art forms. Its collaboration with the Turtle Island String Quartet blends the classical string tradition with jazz, improvisation and contemporary composition.  The Ying/Turtle Island CD “4 + Four” received a 2006 Grammy Award in the Best Classical Crossover Category.  HFM is proud to offer this unique combination on Tuesday, January 22. 

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Cantus will appear for the first time in Houston on Tuesday, February 12.  Founded ten years ago by alumni of Minnesota’s St. Olaf College Choir, this group has a unique sound, grounded in a rich northern European and Midwest American Lutheran choral tradition. The style contrasts with that of the King’s Singers or Chanticleer and is important to be heard.  After a concert last year in Temple, Texas, the head of the chamber music society wrote us the following e mail:  “Cantus is art.  Their purity of tone, blending of timbre and mastery in expression through all the various technics of vocal artistry produced a masterpiece in each song.”  Cantus also has a unique approach to repertoire, presenting works that range from Tallis to contemporary works written for them, and including Indian ragas and Motown. 

The Florestan Trio (Tuesday, March 11) takes its name from one of two personae – the impetuous, exciting and joyous one – by which Robert Schumann characterized himself in his journals.  This English trio has received countless awards, including the Gramophone Award for a CD of Schumann’s trios and a nomination for a Gramophone Award for every other CD they have made! They celebrated their tenth anniversary season with the completion of their Beethoven recording cycle for Hyperion, and with three sold-out performances of the Beethoven Trios in London’s Wigmore Hall, for which the London Sunday Times called them, “Perhaps the finest contemporary exponents of this repertoire performing on modern instruments today.” Of their release of the Mendelssohn piano trios, the New York Times stated, “The Florestan were born to play these works.”  This will be the Florestan’s first performance in Houston.

 

The relatively young Belcea String Quartet appears for the first time on the HFM series, Tuesday, April 8.  Last year, Michelle Dulak Thomson, the string player-turned reviewer from San Francisco, wrote: “It would be difficult to improve on the Belcea’s Mozart.  They are not an ordinary competition-circuit quartet. For one thing, they put much more thought and effort into articulation than they do into pouring out sound… Leader Corina Belcea … embodies the [tone] ... Her alert, zesty, occasionally impetuous style is the style of her three comrades-in-arms. And everything they do, they seem to do with one mind, not because of obsessive rehearsing but just because they all want the same thing.”